i shock myself the autobiography of beatrice wood

Roché lived in Paris with his wife Denise, and had by now written Jules et Jim . Biographies of Wood traditionally link Roché's novel (and the consequent film), Jules et Jim, with the relationship between Duchamp, Wood, and himself. Other sources link their triangle to Roché's unfinished novel, Victor, and Jules et Jim with the triangle between Roché, Franz Hessel, and Helen Hessel.Beatrice Wood commented on this topic in her 1985 autobiography, I Shock Myself: Though she was involved with Roché, the two would often spend time with Duchamp, creating a love triangle. She worked with Duchamp and Roché in the 1910s to create The Blind Man, a magazine that was one of the earliest manifestations of the Dada art movement in New York City. She continued acting with a French Repertory Company in New York City, performing over sixty roles in two years and spent a number of years thereafter performing on the stage.ĭuring this time period, Wood was introduced to Marcel Duchamp, who in turn introduced her to her first great love interest, Henri-Pierre Roché, a man fourteen years her senior. The onset of World War I forced Wood to return to the United States. Eventually her parents agreed to let her study painting and because she was fluent in French, they sent her to Paris where she studied acting at the Comédie-Française and art at the prestigious Académie Julian.

Despite her parents' strong opposition, Wood insisted on pursuing a career in the arts. Beatrice Wood died nine days after her 105th birthday in Ojai, California.īeatrice Wood was born in San Francisco, California, the daughter of wealthy socialites. Beatrice Wood (Ma– March 12, 1998) was an American artist and studio potter, who late in life was dubbed the 'Mama of Dada,' and served as a partial inspiration for the character of Rose DeWitt Bukater in James Cameron's 1997 film, Titanic.

I shock myself the autobiography of beatrice wood